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Perfect Right Now: A Slumberland Collection 2008-2010

The Pains of Being Pure At Heart

Central to the the late 00s Brooklyn indie scene, The Pains of Being Pure At Heart paid tribute to everything from C86 to early Slumberland, Sarah and Creation. Their 2009 debut is a classic; "Perfect Right Now" rounds out the story of The Pains' early years, compiling the much-loved b-sides from the 7"s that accompanied that first album, a follow-up EP, scarce tunes from split singles, and finally "Say No To Love," a spectacular tune that points the way forward to the band's next chapter. Expected to ship on or before the February 7th release date. If you order this along with other items we'll ship your order when everything is in stock.

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Whispers In The Speech Machine

The Laughing Chimes

On their spellbinding sophomore album, "Whispers in the Speech Machine," the young Ohio siblings from The Laughing Chimes fully embrace their Southern Gothic influences, exhibiting how their approach to songwriting and sonic aesthetics continues to evolve. The eight assured songs on "Whispers in the Speech Machine" cannily balance the light of their infectious pop with the mood and atmosphere of their Appalachian environs and point the way forward for this captivating young band. Expected to ship on or before the January 31st release date. If you order this along with other items we'll ship your order when everything is in stock.

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Favourite Time

The Cords

The Cords are just the latest in a long line of Scottish groups flying the flag for DIY pop. Sisters Eva and Grace take their cues from forebears like Dolly Mixture, Shop Assistants, Heavenly and Tiger Trap, revitalizing the C86 sound with style and infectious enthusiasm. Recorded over the course of two days with Jonny Scott (CHVRCHES) amidst recording sessions for their upcoming debut LP, "Favourite Time" is 2 minutes and 42 seconds of unapologetic Christmas joy; sleigh bells and all.

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Summertime

Autocamper

Summertime cassette

With buckets of melancholic charm and a cardigan collection that would make even Stephen Pastel blush, Autocamper are the perfect pop tonic to Manchester's predictable post-punk machismo. "Summertime"/"Ken Hom" is their new single and it effortlessly retrofits the jangle pop sounds of the '80s without the C86 revisionism. Fueled by an unflaggingly melodic organ and spare, scratchy guitar jangle, both songs are perfectly emblematic of Autocamper's thrillingly fresh UK-meets-NZ pop sound.

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Every Heaven

Humdrum

Every Heaven LP/CD

Chicago's Loren Vanderbilt began Humdrum as an escape early in the pandemic — a band built around his favorite elements of dream-pop, indiepop, shoegaze, and new wave. On his debut album, "Every Heaven," Loren establishes himself as a talented songwriter and master of melody across 10 tracks brimming with jangly guitars and lovelorn vocals, hearkening back to the chime of IRS-era R.E.M., Felt, The Railway Children, New Order, and 90's staples like Ride, Pale Saints and Slowdive.

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The Boy Who Ran The Paisley Hotel

Chime School

Following on from their excellent, jangle-tastic 2021 self-titled debut, Chime School's new album "The Boy Who Ran The Paisley Hotel" is as stellar as we could have hoped for — deeper, richer and evolved in every way. While still joyfully packed with janglepop gems, "Paisley Hotel" takes a turn toward the winsome melancholy of groups like East Village, The Go-Betweens, and The Loft, slowed down a bit from the first album and patiently unfolding in moments that highlight an evolution in songcraft, production and arrangement.

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Knife Is But A Dream

Tony Jay

Bathed in the introspective glow of May 2024, San Francisco's own Tony Jay unveils his latest aural tapestry, "Knife Is But A Dream." This collection delves deeper into the realms of ambient noise and collage, territories previously hinted at in his earlier works. The songs, themselves, retain a skeletal elegance, a stark contrast to the swirling chaos that surrounds them. The final product evokes the image of a charcoal sketch, a fleeting moment of beauty captured for all time.

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Some Dusty

Birdie

Some Dusty LP/LP

Long-awaited reissue of this 1999 soft-pop gem. Featuring Debsey Wykes (Dolly Mixture) and Paul Kelly (East Village), Birdie sprung from the couples' shared love for the sunshine pop and soft rock of the ‘60s and ‘70s and resulted in the release of two perfect albums and a string of immaculate singles. "Some Dusty" was recorded during the summer of 1998 with the estimable Brian O'Shaughnessy (Denim, Moose, The Clientele). Deep and beautiful, its melodic, understated yet sophisticated arrangements provide an ideal setting for Debsey's sweet and soulful soft-pop vocals. There's a quest for the perfect pop moment here, something Birdie realise effortlessly on each of the ten songs.

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New Town Dream

Neutrals

Neutrals are a punk band from the San Francisco Bay Area, channeling a wide range of '70s and '80s punk, post-punk, and DIY indiepop influences. Their terse, angular songs don't skimp on melody or intimate storytelling and represent an appropriate intervention in these tense, atomized times. Neutrals are now back with "New Town Dream," a 13 song dispatch that takes on modern life and politics (both micro and macro) and situates their scrappy Jam-meets-Television Personalties sound firmly in 2024.

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Combustible Gems

Lightheaded

Combustible Gems LP/LP/CD

New Jersey's Lightheaded are clearly students of pop in all of its variety, drawing as much from 60s Brill Building song writers as they do from later 60s folk/pop developments and 80s DIY pop. The striking thing is how seamlessly they're able to meld these influences, and the distinctive voice that they've crafted this early in their career. Their new album "Combustible Gems" follows-up their well-regarded "Good Good Great!" EP in fine fashion, striking all the right Phil Spector/Goffin & King chords while rooting the album firmly in the NOW. Singles like "Moments Notice" and "Bright Happy Girls" possess a timeless pop charm, brimming with jangle, drama and infectious energy.

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Pop and Circumstance

Lunchbox

Oakland, CA mainstays Lunchbox are back with "Pop and Circumstance," an explosive new album that draws on influences from classic AM radio pop singles to the 1970s UK mod-revival to the jangle of 1980s British indiepop. From the bubblegum mod pop of "Dinner for Two" to the junkshop soul of "Love for Free," from the power pop of "Summer’s Calling" to the horn-driven grooves of "Is this Real?," "Pop and Circumstance" transposes Lunchbox’s unique blend of influences into a transcendent new key.

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Unwishing Well

The Reds, Pinks and Purples

Over the last five years The Reds, Pinks & Purples have released six albums and countless singles & EPs, all breathing fresh life into the cerebral, leftfield pop that animated the gloomy teens, college DJs and record store clerks of the 80s and 90s. Such touchstones as The Go-Betweens, The Smiths, Magnetic Fields, and Felt are obvious inspirations, but their prolific, prodigious talent for mood and melody have virtually created their own genre, and "Unwishing Well" is its purest embodiment yet.

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Torrey

Torrey

Torrey LP/CD

SF Bay Area textural pop group Torrey delve deep into a translucent dreamworld on their self-titled sophomore album. Bending classic shoegaze, rainy day indie rock sounds, and 90s alt rock flair into more intricate forms, the band uses these guitar-forward songs to shape-shift between gentle drifting and noisy breakthroughs. Some touchstones might include Lush, Drop Nineteens, Cocteau Twins and The Breeders, but Torrey have a deft grasp of their craft and a forward-thinking studio approach that places them very much in the NOW.

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Fairweather Friend

The Umbrellas

Channeling sold gold influences like The Pastels, Comet Gain, Orange Juice and The Aislers Set, The Umbrellas represent the fertile San Francisco Bay Area scene at its most pop-tastic. "Fairweather Friend" follows-up their surprise-hit 2021 debut in fine fashion, featuring sterling songwriting and arranging, bigger and more nuanced production, and terrific, assured vocals all around. The Umbrellas have swung for the fences with this new album and it's a bold, beautifully-executed success.

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Fertile State

Blue Ocean

Oakland CA's Blue Ocean blend elements of shoegaze, pop, noise rock and electronics, striking a precarious balance between noise and melody that recalls forebears like Disco Inferno, Bark Psychosis and Flying Saucer Attack. "Fertile State" shows the band at their noisy best. Reverberating guitars swirl around what is at it's heart a lovely pop song, erupting into peels of feedback a la early Jesus & Mary Chain. It's a bracing, intoxicatingly fresh take on noisy pop from a band to watch.

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Good Good Great!

Lightheaded

Good Good Great! cassette

New Jersey's Lightheaded have conjured, through some mysterious alchemy, a distinctive flavor of pop that draws as much from 60s Brill Building, garage-pop and folk-pop as it does from the DIY indie explosion of the 80s/early 90s. Their debut EP "Good Good Great!" shows that band core Cynthia and Stephen are clearly students of pop in all its permutations, but they wear their influences lightly -- a typical Lightheaded song could have been released in 1966 or 1986, but in fact sounds just right in 2023! The sound has just right amount of elemental murk, drawing to mind a mythical collab between Phil Spector and Curt Boettcher's Sagittarius, working their way through the Goffin & King songbook.

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Laurel Heights

The Laughing Chimes

The Laughing Chimes have, over the course of one album and several singles, breathed new life into classic jangle and paisley pop. Gathering up 3 future-classic tunes from their 2021 debut album and two subsequent singles onto one 7", Laurel Heights is a brilliant distillation of the bands' considerable charm -- a superb vinyl introduction and a compact "greatest hits" package.

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Perfect Worlds

Tony Jay

Perfect Worlds LP/cassette

"Perfect Worlds," the newest album by San Francisco's mysterious lo-fi pop legend Tony Jay, delivers an intimate record of thirteen dreamy, assured arrangements that further cements Tony Jay's status as a dejected crooner of the quotidian par excellence. Drawing inspiration from failed relationships, lack of sleep, a bicycle injury, and depression, Tony Jay (helmed by SF scene mainstay Michael Ramos) pairs catchy melodies and hushed vocals with ethereal instrumental tracks.

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